One of my personal goals this year is to read more books by authors of color, and to that end I’ve committed to reading only fiction by authors of color. I was excited to receive an advanced copy of friend and fellow Korean adoptee writer Matthew Salesses’ new novel, The Hundred Year Flood. I am a big fan of Salesses’ writing. I enjoyed Matthew’s books, I‘m Not Saying, I’m Just Saying, Different Racisms, and his essays on the Good Men Project and recently published on The Offing. Matthew is one of the most prolific and productive writers I know! I don’t know how he balances all of his different projects (in addition to his teaching, his PhD candidacy and his family). I read The Hundred Year Flood on a recent weekend trip, mostly on the plane. I seriously paused a couple of pages into the first chapter to just savor and admire the poetry of Matthew’s prose. Matthew’s writing is beautiful. The main character in this novel is 22-year old Thomas, known as Tee, a Korean adoptee. The novel is set in both present time where Tee recovers in the hospital, and in flashbacks set in Prague where Tee has been spending the past year in search of himself and where Tee receive the injury that leads to the current hospital stay. There are now many memoirs written by Korean adoptees but I’ve been frustrated and disappointed with the limited portrayals of Korean adoptees in fiction over the years, particularly by non-adopted Asian American writers like in these novels. I think I’m always wary about how Korean Adoptees are presented in fiction because they often feel very stereotyped to me, and so focused on the adoption part that it seems there is nothing else to them. I feel strongly that adoptees are so much more than their adoptee identity and yet it has not been easy to find representation in either film or on the page that adequately gives us nuance and complexity. So I was appreciative that while adoption does play part of Tee’s journey, it is not all of it; finally we get to read a story about a person whose adoption status is one aspect of their identity and their story, not the sum game. I won’t say much more about the plot of the story in hopes you will get the book for yourself and read it. I will say that much of Salesses’ writing is just my cup of tea (sorry, couldn’t help it!) all the way around. I liked the splashes of magical realism and the unique and powerful imagery in the writing and was sad when I finished reading, wanting more of Tee’s story. Which is always a good thing, to end wanting more. The Hundred Year Flood will be available in August.